To accompany his report on Warm Winters Ltd in The Wire 503/504, Antonio Poscic explores a playlist of releases from the ...

To make sense of ongoing tech revolutions, a new generation of musicians is making music that metabolises electronic processes through analogue forms, argues Ryan Meehan ...

In The Wire 503/504, Xenia Benivolski writes that as the speed of events and information flows increases, drone based slowness offers another mode of perception ...

Traditional instruments, folk cultures and mythic ideas of futurity offer slip roads exiting AI’s highway to a hollow future, argues Daryl Worthington in The Wire 503/504 ...

Far beyond novelty or experiment, 2025 was the year that crossover projects rejected genre labels for endless sonic possibilities, writes Stewart Smith in The Wire 503/504 ...

Anna Högberg Attack “Gnistran - Hematopoesi - Emlodi” 0:15:51 ...

The Wire’s Releases of the Year chart for 2025 was compiled from the individual votes of the magazine’s staff and contributors – here are those votes in full ...

For several years, the supposed death of the band has been cropping up in state-of-the-nation style music discourse. The obvious culprit? Financial hurdles of the sort that even successful bands can ...

The music industry's uptake of AI complicates the boundaries between listener, artist and music in troubling new ways, argues DeForrest Brown, Jr Our habit of referring to music as an aesthetic object ...

The 18 December edition of The Wire’s weekly radio show on Resonance FM and Resonance Extra featured music from The Wire's Top 50 Releases of the Year, including Natural Information Society, DJ Haram ...