Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the ...

In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...

The subject of numerous controversies, she is defined by ambiguity, welcoming outcasts to the Church and provoking more ...

Music is no longer a matter for the few,” Kurt Weill declared in 1928, the year he wrote “The Threepenny Opera.” In Weill’s ...

Pope Francis has long advocated for immigrants, refugees, and the vulnerable—but the Church, like other institutions, may ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

Also: Adam Gopnik on where to eat near the Frick; Sondheim and Chekhov, Marisa Tomei and Lucas Hedges on stage; the kinetic ...

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor.

Universities are accustomed to acquiescing to the government, but Trump made Harvard an offer it couldn’t not refuse.