You already know how to meet deadlines, solve problems and work with people. Here is how to bring those skills into filmmaking.

Everybody loves a good twist. Our horror challenge is back, and we’re ready to shake things up with “An Unexpected Twist”. We want to see your original and creative one-minute films that spook and ...

I’m delighted to say that two debut features from our June 2026 Raindance programme have secured UK theatrical releases: April X and Child.

Japanese can be a difficult language for automated video translation. Meaning often depends heavily on context, subjects are frequently omitted when they are understood from the conversation, and the ...

See which AI tools hold a character's voice consistent across a full microdrama season, including cloned multilingual voice ...

A stereotype can be useful for about ten seconds. And here are the principles professional use. What are you going to do ...

Nina Romain talks to two Brit zombie-meisters who chose to have their heroes taking on the undead in UK shopping centres.

For independent filmmakers, making a good movie is only half of the struggle since getting an audience can also be tough if there is not enough funding for advertising and distribution of the movie.

When filmmakers commission a poster from us at COLONFILM, one recurring problem arrives before the design begins: the stills are too small. Someone is investing in artwork for their film, yet the ...

Ahead of its UK release at the ICA this March, we sat down with Joaquín Cambre, director of Argentinian coming-of-age film A Trip to the Moon, which had its World Premiere at Raindance 2017. A Trip to ...

Every film begins with an idea. But ideas do not organise locations, negotiate contracts, manage budgets or persuade people to work through the night in the rain. That is the first-time producer’s job ...