Sua/Nara remains a striking independent genre effort. Its blend of stylish action, ambitious world-building and committed performances results in an entertaining and memorable experience that ...

I Hate Myself and Want to Die might’ve benefited from embracing that kind of absurdity. As the final movie gets stuck ...

If a discussion in which everyone screams at the top of their lungs and the loudest person simply drowns everyone else out can be called democratic, then Digger can be called a good film.

None of this replaces the creative work. A thoughtful campaign cannot make a weak story compelling, and a strong film will not automatically find its audience. But clear communication gives people a ...

In its final form, The Nomophobe paints a stark picture of the reality and mental impact of phone addiction.

Heart of the Beast may not tell a new story, but it doesn't need to. Its simple story about survival, loyalty, and the bond between a man and his dog works because it genuinely has a heart.

While never changing the wheel this new Sense and Sensibility is an enjoyable and undemanding watch that will go down well on a rainy Sunday with a cup of tea and a biscuit.

Despite its brief runtime, Liquor Bank delivers a thoughtful portrait of recovery and friendship. It is a quietly powerful story about responsibility, compassion and the difficult work of finding a ...

The past week saw this year’s Fantastic Fest film festival take place in America and, while I’m located in the UK, I was given the opportunity to remotely cover a few of the films shown, starting with ...

Despite its brief runtime, Iridescence creates a fully realised world with a strong visual identity and a clear thematic focus. Lhoste delivers an inventive piece of animation that combines ...