Vanessa Whyte BSC and Catherine Goldschmidt ASC BSC reflect on the origins of the group and the changes they’ve seen.

From major sporting events to theatre and live music, shooting for the camera means working within tight constraints.

Shot in just six days by a small crew dedicated to their craft, the music video accompanying Peter Gabriel’s “Sledgehammer” is still admired as a shining example of stop-motion success. 37 years after ...

Critical to the successful preparation and execution of a movie is the creative partnership forged between the director and cinematographer. In order to explore the fundamental relationship, four ...

In the first instalment of the new BSC Heritage Series, adapted from profiles featured in the BSC book Preserving the Vision, we celebrate the work and talent of the society’s founding member, Georges ...

The Longlegs cinematographer jumped on board with the cinema legend, setting out to bring a Burton twist to Gaga’s “The Dead Dance” video.

With over 90 credits to his name, Anthony Richmond has cemented his status as one of the industry’s iconic characters on both sides of the Atlantic. The cinematographer recalls his favourite moments ...

Women in Film and Television UK is celebrating the next generation of women screenwriters with the announcement of the 2026 ...

With a brand new host, panel and event space, Chapters is partnering for a second year with the Film + TV Charity.

Jamie Starr explains how dolly grips are masters of camera movement and emotional interpretation, sitting quietly right next to the operator to help and advise. I’m often asked, “What is a dolly grip ...

The GBCT's Film Refresher Workshop ensured camera crews could sharpen analogue skills and learn from experienced industry ...

Cinematographer Dev Agarwal approached the film not as an exercise in recreating the Western, but as an exploration of how ...